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- A Short Guide to Tuning a Classical Guitar - London Guitar Studio. In this guide we will explain the standard methods for tuning 6 string classical guitars by ear and by using a digital tuner. Each of the six strings of your guitar are a different thickness with string 6 being the thickest and string 1 the thinnest.
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- How to Make a Guitar Sing. The experiment must be done with a guitar that is in tune, so start out by tuning the guitar. Ask an Expert The Ask an Expert Forum.
Do You Want the Best Acoustic Guitar Pickup?
Shaping the Head of the Guitar. I’m not a guitar expert, but the Coco guitar looks like a classical guitar, where the tuning pegs go into the head of the guitar and the strings wrap around the pegs inside the head. The head needs two long openings where the strings connect. These opening look like the eyes of the skull on the Coco guitar.
It’s very common for acoustic guitars to have inbuilt pickups now and it’s wise to try and factor one into any guitar you buy. But some have no electronics simply to keep the cost down, while more expensive instruments acknowledge that players might prefer to choose and install their own type of pick-up to suit particular styles and situations.
You might have a favourite guitar that needs a pick-up put in. Straight up, I’m going to recommend you don’t go too cheap with your budget. That’s a recipe for hums, buzzes and poor tone. And for the sake of balance, I’ve included a couple of big-ticket items here. Before I show you a list of options, here’s a very quick lesson on the different kinds available. It’s important you know the difference.
Hint: “Feedback” can be anything from a very low rumble to a screeching, ear-piercing squeak. It’s when the signal from your pick-up comes out of an amplifier (or PA system) and is accidentally picked up again by your guitar—so it’s “feeding back” into your amplifier in an endless loop. Normally, you’d never want this. But you’ll often see rock musicians holding their electric guitars close to their amps to deliberately create screaming feedback. A lot of acoustic guitar feedback can be reduced by using a “feedback buster” or “sound hole cover”. See here.
Electro-magnetic Pick-ups
Electro-magnetic pick-ups are mounted across the sound hole of the guitar and create a signal by responding to the strings vibrating within the electro-magnetic field produced by the pick-up. The natural tone of the instrument—what you actually hear—has almost no impact on the signal produced by EM pick-ups, but the more you pay, the better these can sound and they’re less prone to feeding back. So they’re popular with guitarists using acoustic guitars in loud rock bands and such.
Piezo Pick-ups
Keeping things very simple, piezo-designed pick-ups are really a tiny microphone that “listens” to your guitar through the vibrations of the wood—so a good physical contact with the timber is needed. It means the natural tone of the instrument is a big factor in what signal the pick-up produces, and they create a “real” acoustic sound. However, it’s a design that by its very nature is prone to feedback.
Microphone Pick-ups
In the pursuit of a perfect, amplified acoustic tone some pick-up manufacturers have designed miniature, high-quality microphones that mount inside the body of your guitar. The natural tone of your instrument is very important—these pick-ups can only recreate what they acoustically hear. But again, they’re likely to feed back when things get loud.
Seymour Duncan Woody HC SA-3HC
Price: $69.00
This is a sound hole-mounted EM pick-up from a company well-known and respected for its products: Seymour Duncan, so you can be confident it’ll sound good. The internal electronics reduce unwanted hum, and the pick-up has an attached fourteen-foot cable with a standard, hard-wired ¼ inch plug on the end. You won’t need to drill any holes in your guitar.
Fishman Neo Buster Pickup
Price: $89.95
This is a great idea. Fishman has incorporated a feedback buster into the sound hole mount for this EM pick-up—and again, Fishman is a highly respected name in the pick-up world. Just make sure the sound hole of your guitar is a compatible size.
Dean Markly DM3001 Artist Acoustic Pick-up
Price: $29.99
This is the most basic kind of piezo pick-up by Dean Markly. The microphone comes with a supply of special adhesive that gives you plenty of use, removing and replacing it over and again. These sorts of pick-ups are really popular for instruments like violins and cellos where you definitely don’t want to damage the timber, and they sound great on guitars, too.
Pro Tip: This pick-up will sound very different, depending on where you place it. Experiment a lot for the best sound.
Fishman Undersaddle Piezo Pick-up
Price: $95.70
This is what’s considered a “standard” piezo pick-up design and configuration. These elements slip under the rear saddle and pick up the strings’ tone from directly underneath. All the guitars you’ll find in a music store with pre-mounted pick-ups use this design—so plainly it’s good. They usually have a preamp increasing the signal, but you can purchase preamp foot pedals instead. With an external preamp of some kind, these undersaddle piezos give you the best sound without cutting a big hole in your guitar body for the volume and tone controls. Note there are narrow and wide configurations.
LR Baggs Acoustic Guitar Microphone
Price: $199.00
No surprise, with this kind of technology, you’re starting to pay a lot more. But the advantage is a true acoustic sound. A small controller mounts on your sound hole to let you tweak volumes, so no damage there, and the microphone element needs to be fixed somewhere inside the body—use Bluetack at first to experiment for the best sound—but you will have to drill a hole for the cable jack. Check our LR Baggs.
LR Baggs Anthem Pick-Up
Price: $289.00
Yes, this will blow the budget, but to illustrate just how far these pick-ups can go… this system has an inbuilt microphone and a piezo element, and you balance between the two for the perfect, studio-quality sound. It needs a professional hand to install and plenty of trial-and-error to get the best placements, but the end result is awesome. If you’re serious about a great guitar sound, this is the kind of pick-up you should consider.
Shure SM57 Microphone
Price: $99.00
Hey… what the…? Isn’t this all about guitar pick-ups? Okay, here’s a real expert tip from yours truly—if the idea of mounting pick-ups to your precious guitar or cutting holes into the body scares you, a great solution is the good ol’ Shure SM57 instrument microphone instead. You’ll need to learn the technique of playing into a microphone, but then you’ll also figure out awesome tricks of changing the tone to suit different songs by adjusting your position slightly. Beware, Shure mic’s are very popular and fake products are everywhere.
That’s Just The Start.
So there you have it. The above pick-ups are just a small sample of what’s available in the various price ranges and designs. As always, if you can have a listen in a music shop, all the better. Otherwise, read the reviews carefully. If you have more ideas, products or tricks for great sounding guitar pickups, please share with us in the comments section below.
Even in these uncertain times, you can still rely on the primal thrill of wood and steel and the sheer unadulterated joy of making music. The year has been a very good one indeed for new gear, but there were a few pieces that really caught our eye and perked our ears.
Over the following week, we’ll be revealing the best electric guitars, acoustic guitars, pedals, amplifiers and accessories of 2018, as chosen by our panel of expert reviewers. So check back to find out the winners in all 11 categories:
WINNER: Universal Audio OX Amp Top Box
It was telling that one of the hottest products at NAMM in January 2018 was on almost every stand at Summer NAMM in June. UA wasn’t the first to combine attenuation, a reactive load and cabinet modelling, but there’s something about the OX’s elegant simplicity that makes guitar players feel at home in a way rackmounts rarely do. The OX allows you to continue to use your valve amp without compromising tone for the sake of volume, and solves a load of problems along the way. Game-changing.
We said: “For attenuation, sending the best sound to a PA desk, home practising with an inspiring tone and easy recording, the OX offers a one-stop solution that’s hard to fault.”
Read our full review here.
Runners-up
- Two Notes Torpedo Captor
- Pinegrove Leather GS25, GS60 & GS61 straps
- House of Tone Tru PAF Humbuckers
- MusicNomad The Octopus & GRIP Winder
WINNER: Orange Terror Bass
Orange’s Terror Bass was discontinued a couple of years ago, but in 2018, the Terror returned with a few important upgrades. The hybrid design now features a mini-toggle labelled ‘clean’ to deliver extra headroom and cleaner tones. It’s a killer addition that adds extra versatility, allowing the Terror Bass to mix it up with the best small-format bass amps out there.
We said: “Offering a range of clean and raunchy bass tones that pack a punch, Orange’s Terror Bass redux is ideal for the gigging circuit.”
Read our full review here.
Runners-up
- Fender Player Precision Bass
- Auden Bowman Bass
- Blackstar Unity 250 & 500 Bass Amps
- Fender American Original 50s Precision Bass
WINNER: Eastman E1D
There was a time when a sub-£500 acoustic guitar would be an unpleasant mix of cheap woods and slapdash build that often resulted in a poor-sounding and difficult-to-play mess.
Brands such as Eastman have dramatically changed this perception, however, and the E1D is a remarkable testament to how good a guitar can play, sound and look at this price point nowadays. A powerhouse dreadnought in the most enjoyable way, there aren’t many better ways you could spend £500.
We said: “The E1D is a stylish, uncomplicated, all-solid dreadnought that offers masses of projection and volume, and a familiar, likeable tone perfect for accompanying unamplified singers – all without breaking the bank.”
Read our full review here.
Runners-up
- Alvarez AD60
- PRS SE T40E
- Faith Legacy Neptune
- Art & Lutherie Legacy Tennessee Red
WINNER: Taylor Builder’s Edition K14ce with V-Class bracing
We’ve been lucky enough to play a lot of beautiful acoustic guitars this year, but when it came to weighing up this category, there was only one winner.
Projection, clarity, tremendous and haunting sustain, vibrant and complex harmonics… all of these characteristics are the hallmarks of the world’s finest acoustic instruments, but V-Class also brings a level of tuning and intonation accuracy that unlocks a world of possibilities for recording. We can’t wait to see where Taylor will take the V-Class next.
We said “An original and imaginative redesign of the structure of the acoustic guitar that has resulted in the finest six-string Taylor we’ve ever played.”
Read our full review here.
Runners-up
- Larson Bros Prairie State OM Style 2 VS 1900
- Breedlove Frontier Concerto E
- Martin D-41 Reimagined
- Lowden S-35 12 Fret Acoustics
WINNER: Fender The Pelt
Despite dominating the guitar world for decades, Fender never really nailed effects until 2018. The firm’s new range of cleverly designed stompboxes is hugely impressive, but The Pelt is the cream of the crop – with an impressive range of fuzz tones on tap for under £100.
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We said “An affordable one-stop solution for a wide variety of vintage and contemporary fuzz sounds.”
Read our full review here.
Runners-up
- Walrus Audio Emissary
- Marine Layer Reverb
- Monty’s Guitars More!
- MXR Sugar Drive
- Electro-Harmonix Op-Amp Big Muff Pi
- Way Huge Russian Pickle Mk III
- Keeley El Rey Dorado Distortion
WINNER: EarthQuaker Devices Westwood
It takes a lot to really stand out in the world of overdrive pedals, but the Earthquaker Devices Westwood did so in such a way that we simply had to dish out a rare 10/10 when we reviewed it.
The Westwood takes the venerable Ibanez Tube Screamer as its starting point, but quickly puts most other green-pedal imitators in the shade. What the Westwood offers is a wonderfully flattering and subtle natural overdrive sound that compresses like a really good Tube Screamer should thanks to its superbly effective tonestack, but without colouring the EQ in any discernible way.
There are plenty of ‘transparent overdrives’ out there, but the Westwood is designed to be ‘translucent’ – and with its sweet, smooth and responsive sound, it’s one of the finest drive pedals on the market today.
We said “Sweet, smooth and responsive, with a superbly effective tonestack: this is some sort of overdrive perfection.”
Read our full review here.
Runners-up
- Beetronics Royal Jelly
- Old Blood Noise Endeavors Alpha Haunt
- Meris Polymoon Delay
- Jackson Audio Prism
- Stone Deaf Syncopy
- Thorpy The Dane
- Fuzzrocious Cat King
WINNER: Marshall Origin 20C
For many guitar players, 2019 was the year that Marshall finally got its mojo back. The Bletchley institution never stopped making great guitar amps, but for some time, it felt that there was a hole in the range for an affordable, gig-ready valve amp with vintage tones and stylings.
The Origin 20C fills that void in some style. With 20 watts of valve-powered Marshall tones wrapped up in the company’s iconic livery, the 20C also offers modern considerations, including an effects loop, power scaling down to 0.5 watts and a surprisingly usable DI out. One of the most important Marshall amps of recent times, this should be on every gigging guitarist’s try list.
We said “A smartly designed little combo that brings the Marshall roar in a versatile and affordable package.”
Read our full review here.
Runners-up
- Blackstar 10th Anniversary Artisan 10 AE
- Fender Hot Rod Deluxe IV
- DV Mark DV ‘Raw Dawg’ EG
- Orange Rocker 15 Terror
WINNER: Lazy J J10LC
A rundown of Jesse Hoff’s clients reads like a laundry list of pro players renowned for their taste and tone. The J10LC is an emphatic demonstration of why… A push-pull amplifier combining the preamp of his much-loved J20 with a 10-watt output stage, the J10 – here in its 5E3-sized ‘large cab’ configuration – comes with a 12-inch Celestion Blue alnico speaker and VAC power scaling, and our review model came fully loaded with optional extras, including footswitchable spring reverb and tremolo modules.
We used it for home practice, recording and even gigging, and found it bristling with a plethora of harmonically rich tweed-inspired tones, from haunting cleans to Neil Young-style meltdown. The best amp we’ve played in many years, let alone just in 2018.
We said “A great way to get vintage 5E3-style tones and dynamics at sensible volume levels, while the optional effects are a real bonus.”
Read our full review here.
Runners-up
- Supro 1685RT Neptune Reverb
- Swart Antares
- Rift Amplification Hawker
- Bartel Amplifiers Roseland
- Black Volt Amplification Crazy Horse
- Two-Rock Bloomfield Drive Combo
- Fractal Audio Systems Axe-Fx III
WINNER: Fender Player Telecaster
For the longest time, Fender’s Mexican-made Standard series was the default first ‘proper’ electric guitar for players of every stripe, so Fender needed to get things right when it replaced them with the totally overhauled Player Series this year. And did they ever.
But in a range stacked with remarkably good instruments, the Player Tele stood tall. Keeping things classic on the looks front, the presence of six bent-steel saddles is a more player-friendly appointment, as is the smooth satin finish to the back of the neck.
Plugging in, its vocal and expressive sounds instantly impress, delivering a range of classic Telecaster tones with pleasing jangle, snap and snarl. Whatever your tastes, this is an awful lot of Telecaster for your buck.
We said “It’s hard to argue with such a well-sorted and affordable take on Leo’s firstborn.”
Read our full review here.
Runners-up
- Sterling Axis AX3S
- Jackson X Series Marty Friedman MF-1
- Gretsch G5420TG Electromatic 135th Anniversary Ltd
- Shergold Masquerader SM04-SD
- PRS SE Bernie Marsden Signature 2017 LTD
WINNER: Eastman SB58/v-GB
We were hugely impressed when we first came across Eastman’s SB59 single-cut back in 2017, but we always hoped that the company would find a way to combine its proprietary ageing techniques with a more conventional ’burst finish. The SB59/v-GB does that in style. The Antique Goldburst really does look like a weathered, slightly faded half-century-old sunburst that shows off the guitar’s mesmerisingly flamed maple top.
It wasn’t just the finish that Eastman overhauled for 2018, however – the new custom-wound Lollar pickups give fabulously musical tones, while the neck carve is a wonderfully playable handful.
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And with Eastman’s manufacture keeping the price under £2,000, there really is no reason not to try one.
We said “Unapologetically vintage-inspired in style and sound, this beautiful single-cut is our favourite Eastman electric yet.”
Read our full review here.
Runners-up
- B&G Guitars Little Sister Crossroads Midnight Ocean
- Manson Guitar Works MA-25 Anniversary Edition
- Maybach Albatroz 65-2
- Rivolta Mondata Standard
- Fender American Original 50s Stratocaster
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WINNER: Lowden GL-10 Koa
Stellar materials and build quality? Check. Effortless playability? Check. Extraordinary sustain and inspiring tones? Check. Basking in the halo of such effusive praise, you’d be forgiven for thinking that George Lowden was an old master at the electric-guitar-building game.
In reality, the GL-10 isn’t just the first solidbody that George has designed in four decades, it’s also Lowden’s first-ever production electric. Despite ferocious competition in this category, the Lowden GL-10 is our Premium Electric Guitar of 2018 because of the way in which the company has somehow imbued the organic spirit of its acoustic models into this original, inspiring electric-guitar design that has an almost sculptural beauty as a three-dimensional object.
We said “This may be Lowden’s first attempt at bringing an electric guitar to market, but the company has hit the ground running with the GL-10.”
Read our full review here.
Runners-up
- Friedman Vintage-T
- Collings I-30 LC
- Xotic California Classic XSC-2
- PRS Silver Sky
- Gretsch G6118T-135 Anniversary Limited Edition
- Frank Brothers Arcade Model
- Vigier Expert Classic Rock
Check out all the previous Gear of the Year winners here.